Exchange Value brings together the works of 11 Australian and international photographers in an exhibition that offers rich and challenging insights into the world of documentary photography. The exhibition explores close-up accounts of those on society’s fringes – skinhead subculture in 1970s London, poor Egyptian neighbourhoods during the Arab Spring, the sterile confines of a mental institution – as well as the photographers documenting them. As the relationship between photographer and subject becomes visible, so does the potential for greater possibilities in image making.
The momentum continues after the exhibition opening on Saturday 16 February with an Artist Exchange featuring Gavin Watson (UK) and Kim Guthrie (AUS) in-conversation with Brisbane music icon John Wilsteed from the Go-Betweens for a musical journey into the artists’ photographic practice. Watson and Guthrie will share selected songs of significance to them, from Crime and the City Solution to Madness, immersing the audience into the social history of the time, and sharing the stories behind their photographs.
Curator at QUT Art Museum Kevin Wilson said collectively the works raise interesting questions about the process of documenting a subculture. “Exchange Value allows us to step behind the lens and observe the creative process of documentary photography, it questions our own relationship to those in the camera’s gaze and makes us think about the ways we impart our own stories onto photographs,” said Kevin.
In addition to the wide range of Australian photographers, Exchange Value showcases UK artist Gavin Watson, who started photographing skinhead culture in 1970s south west London at age 14; Belgian artist Bieke Depoorter, who spent many months living with and documenting a community in Egypt during the Arab Spring, leading her to share her creative process and final artwork with those she photographed; and UK-based artist, Simon Terrill who photographs large crowds in public spaces, exploring what happens when participants can return the camera’s gaze in a manner of their choosing.
The exhibition also deconstructs white colonial archival narratives, documents the dark club world of the 1990s in Brisbane, follows one female artist’s solo caravan journey into the unknown in the 1970s, and provides exhaustive photographic essays on the fractious relationships between women and men, trans generational trauma and homelessness and marginalization. All in all,
Exchange Value packs a punch.
In Focus: Blind Photography, an exhibition on tour from Canada will be presented alongside Exchange Value. Curated by Megan Strickfaden and Janice Rieger, the show features 10 international blind and partially sighted photographers depicting compelling narratives about inhabiting, negotiating and interpreting the built environment.
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